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  • Compact Disc (CD) + Digital Album

    Beacause of COVID-19 epidemy Polish Post implemented many restrictions regarding proirity letters’ and parcells’ delivery to some countries like Italy, Spain, USA, Japan and many others. This unfortunately means that for a while we will not be able to send hard copies you ordered.
    Situation is changing dynamicly and restrictions may be lifted at every moment.
    Dear customers, every CD you’ve ordered is ready for shipping and will ship as soon as possibile. We monitor situation constantly.
    We appologize for such invonvenience. And of course, many thanks for your patience, indulgence and suport that in these times are espacially vaulauble. We appreciate it a lot! Please stay with us.

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    Free Music demands invention. It is not enough to rely on one’s repertoire or default techniques. Every performance is a confrontation with the undiscovered. Each player expects the challenge to change with every portion of sound or silence. The formulation of a musical duration demands complete attention by each player, who is obligated to interpret and determine the questions and answers with immediate action. Focus with one’s artistry, and facility with ones instrument, must combine with an agreement that everything is mutable and therefore unknown until it is heard. Agustí Fernández, a master of improvisation on piano, and Yasmine Azaiez, a virtuoso violinist still in her mid 20s, are two of the most daring musicians I know, virtuosos of the highest order, each comfortable in any musical situation. Both are vital, passionate artists who search for new material and areas of expression. As a friend and colleague to both of them, I am not surprised that on this recording they completely embrace the need for invention, and in the process, change the way a piano and violin sound together—no small feat considering the history of this instrumentation. We hear massive arcs and varied densities made of the smallest particles of sound, all movable, constantly evolving, implying a narrative and also the elemental, organic configuration where sound needs no more interpretive definition. Our opportunity as listeners is to decipher our own understanding of what this music means to us, how it formulates itself in our experience with it. Agustí Fernández and Yasmine Azaiez have done their jobs on this recording with grace and daring. They’ve made an exciting experience for us to examine—one where we can discover ourselves through the surprise of newly invented music. —Joe Morris

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1.
STATEMENT 06:24
2.
REVELATION 11:30
3.
SERENA 05:36
4.
METAMORPHISM 04:35
5.
MONOLITH 03:35
6.
DARK DRONE 03:26
7.
OPALESCENCE 06:42
8.
ALBA 02:56
9.
PASSAGE 06:19

about

Free Music demands invention. It is not enough to rely on one’s repertoire or default techniques. Every performance is a confrontation with the undiscovered. Each player expects the challenge to change with every portion of sound or silence. The formulation of a musical duration demands complete attention by each player, who is obligated to interpret and determine the questions and answers with immediate action. Focus with one’s artistry, and facility with ones instrument, must combine with an agreement that everything is mutable and therefore unknown until it is heard. Agustí Fernández, a master of improvisation on piano, and Yasmine Azaiez, a virtuoso violinist still in her mid 20s, are two of the most daring musicians I know, virtuosos of the highest order, each comfortable in any musical situation. Both are vital, passionate artists who search for new material and areas of expression. As a friend and colleague to both of them, I am not surprised that on this recording they completely embrace the need for invention, and in the process, change the way a piano and violin sound together—no small feat considering the history of this instrumentation. We hear massive arcs and varied densities made of the smallest particles of sound, all movable, constantly evolving, implying a narrative and also the elemental, organic configuration where sound needs no more interpretive definition. Our opportunity as listeners is to decipher our own understanding of what this music means to us, how it formulates itself in our experience with it. Agustí Fernández and Yasmine Azaiez have done their jobs on this recording with grace and daring. They’ve made an exciting experience for us to examine—one where we can discover ourselves through the surprise of newly invented music. —Joe Morris

credits

released July 20, 2016

Agustí Fernández, piano
Yasmine Azaiez, violin

All music by Agustí Fernández & Yasmine Azaiez
Recorded on November 9th, 2015, and April 23rd, 2016
Recorded at L'Obrador, Sant Pere de Vilamajor, Barcelona, Spain
Mixed and mastered by Ferran Conangla at FMC Estudis, May 17, 2016
Photo by Joan Cortès
Graphic design by Małgorzata Lipińska
Produced by Agustí Fernández and Maciej Karlowski for Fundacja Słuchaj

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